by Michaela Strebl
Wood is Johann Filcher’s medium of choice „Wood was always something special for me, something alive and growing“.
Never a homogenous substance, wood has a fascinating structure of it’s own, marked by the constant interchange of growth and decay. The first tools and weapons were made of wood, and our ancestors formed the first images from wood The forty-year old artist is fascinated by the cult figures, demons and masks we still find in tribal art But in a world that professes to be free of demons, this type of art has lost much of its magical connotation Feilacher chooses wood of various shapes and sizes Sometimes sturdy, sometimes damaged of rotting logs are transformed by the artist’s hand, yet their inner life is always preserved They become spheres, gently rounded forms, spirals winding inward, vital, rising stems, multiply notched logs, or sharp-cornered blocks. The marked clarity and potency of form is juxtaposed by the fragility of the splitting, breaking and partially rotting material Memories of archaic worlds are awakened without allowing us to forget our severed relationship to nature To Feilacher, it is important that the surroundings become part of his art; he sees sculpture as an open-air art form. Feilacher introduces monumental sculptures to the landscape. a screw winding up to the sky, a felled tree, a soaring arrow He returns the wood to its original environment, a monument unto itself The most striking feature of Feilacher´ s recent work is the heightened clarity of formal structure and his increasingly generous treatment of the medium. The artist has long abandoned his early practice of coating his works with a tar wash to darkly suggest the material’s origins By working more closely with the living structure of the wood, he succeeds in evoking an ever changing interplay in which the formed object emancipates itself from the artist and develops its own dynamics Because of drying, swelling, or splitting, this development continues beyond the creative process — providing the artist permits it in his choice of materials Feilacher believes the actual artistic event is not found in the finished work of art I but In the process of confronting form The physical experience remains dominant getting a sense of the material and personal physicality.
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